Sunday Afternoon Joy
Monday, February 27th, 2006
I like to spent at least part of Sunday afternoons listening to some sacred classical music (Bach’s St. Matthäus Passion or Easter Cantata, Mozart’s Requiem, Haydn’s Die Schöpfung, Handel’s Messiah, etc.). By far my favorite is Brahms’ Ein Deutsches Requiem. I love the personal feeling in the piece. Brahms directed the requiem more toward the audience than toward God or the departed souls (a fairly distinct departure), using colloquial texts from the Bible (and one from the Apocrypha) instead of the latin missa pro defunctis. There are many intensely personal passages in the Requiem and every movement is a chance for the listener to deeply reflect on what he’s hearing in the text and in the music’s interaction with it.
There’s wonderful symmetry in the work. The opening movement (“Selig sind, die da Leid tragen”—”Blessed are those that mourn”) begins with the same coloring as the final movement (“Selig sind die Toten, die in dem Herren sterben”—”Blessed are the dead who die in the Lord”)… minor key… dark, somber, plodding. The first movement focuses on the mourner: “I’m miserable… I need help… Lord, you said you’d bless the mourners…” The last movement begins Read the rest of this entry »

